Spitfire Audio Vst Download

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Jul 17, 2017  If there was a single product that could sum up the foundation of Spitfire’s approach to sampling it would be this. Recorded at the studio that has played host to scores from blockbusters. A few months ago Spitfire Audio had announced they were preparing an audio library for release on their own platform, and just recently they finally delivered. LABS - an acronym for Let's All Be Something - is now available to download for FREE from the LABS website. The plugin comes in VST.

Albion is the newest orchestral brainchild from Spitfire Audio, headquartered in Great Britain. It follows the path of Symphobia 1, Hollywoodwinds, and Symphobia 2 by being a problem/solution orchestral module that does not compete directly with full fledged orchestral libraries from EastWest, SONiVOX, or the Vienna Symphonic Library.
EPIC CINEMATIC TOOLS
Made from a totally new set of samples recorded in May and June 2011 at Air-Studios Lyndhurst Hall, ALBION is the most exciting addition to Spitfire’s commercial range to date. A one-stop-shop of thundering orchestral delights….
ALBION ORCHESTRA
“…if you need a palette of powerful orchestral ensembles which will inspire your writing, galvanise your scores and generally add class, sheen, size, power and depth to your orchestral armoury, the library delivers in spades.” Sound On Sound Magazine October 2011.
The finest orchestral sessions musicians playing the finest, rarest instruments, recorded at Air Studios – Lyndhurst Hall, London, through the finest vintage, valve, and ribbon mics to 2″ tape. The only tape based orchestral library in the world. This is all you need to write epic sounding, widescreen cinematic orchestral music straight out of the box. Recorded in sections, this library features rich aggressive and lyrical strings, punchy, growling brass and some seriously malevolent woodwinds.
All patches come with 4 mixable/ routable and selectable mic positions C(lose), T(ree), A(mbient) and O(outrigger). Work with one mic “in” on your laptop on the plane, then render down with all four routed to 5.1 on your “big rig” back at your studio.
In addition to that true legato is available across all choirs of the orchestra. A new and innovative addition is our “Ostinatum” engine that helps you build exciting and unexpected arrangements to your flowing top-lines and a huge bank of mod wheel fade orchestral FX to provide you with some alearic colours.
DARWIN PERCUSSION
“The ‘cinematic’ sound of big, booming drums and scary, low?pitched rumbles and crashes, preferably recorded in a highly reverberant hall acoustic… this type of explosive, earth?shaking racket is amply covered in Albion.” Sound On Sound Magazine October 2011.
Darwin Percussion is a thunderous collection of massive cinematic drums, ear piercing metal slams, sub sonic thuds, a cymbal ensemble and exciting mid and high range action sections. Available with 4 round robins 4 dynamic layers and 3 mic positions.
STEPHENSON’S STEAM BAND
“…introducing a psychedelic, other?worldly quality. The pads section ranges from dreamy, gently swelling chordal textures to enormous, multi?octave ‘choir of the gods’?style patches.” Sound On Sound Magazine October 2011.
Derived and punked entirely from our orchestral recordings, to make these “other-worldly” soundscapes easier to mix into the orchestral sound-palette. With X/Fade modulation and 2 mic positions for surround information. Whilst being enormous in scale and interest all pads and drones are harmonically monophonic for true musical integration into your cues.
BRUNEL LOOPS
A selection of esoteric tools designed to sit on top of your mix to add sparkle and “motivation” these feature up to 4 dynamic layers of MW Xfade and feature an advance FX sequencer.
Winning two Future Music awards:
“Platinum” and “Value”. The magazine awarded Albion these scores: 8/10 for Stability, 10/10 for Value, 9/10 for Ease Of Use, 9/10 for Versatility, 9/10 for Results.
It is quite simply a must for any aspiring film composer a must for any existing film composer wishing to pump life back into a tired palette of sounds. Recorded in London for that truly “British” sound, Albion is the only library commercially available in the world today.

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SPECIFICATIONS:
A one-stop orchestral cinematic composing tool in a box. 19.51GB NCW lossless compressed data from 42.38GB WAV download-only exclusively from this site. Albion is 3rd party content for the KONTAKT platform. Free Kontakt Player available to download with this module.
SYSTEM REQUIREMENTS:
PCs:
Windows 7 (latest Service Pack, 32/64 Bit), Intel Core Duo or AMD Athlon 64 X2, 2 GB RAM (4 GB recommended)
MACs:
Mac OS X 10.6, 10.7 or 10.8 (latest update), Intel Core 2 Duo, 2 GB RAM (4 GB recommended)

One thought on “ Spitfire Audio – HZ01 Hans Zimmer Percussion London Ensembles (KONTAKT) ” Lien February 16, 2020. It doesn’t have a nicnt file and I can’t add it as a library. I also can’t open individual. Jun 07, 2018  Spitfire Audio over the years has produced some of the most beautiful and cutting edge sample libraries in the industry. These sounds are featured in major motion pictures and many.

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Spitfire Audio Hans Zimmer HZ01 – London Ensembles
Hans Zimmer Symphonic Percussion Library with Mixable Mic Perspectives

Four percussion legends and long term collaborators with Hans play the definitive anthology of percussion instruments and styles developed over ten years of blockbuster score making. Volume 1 includes his classic selection of drum ensembles and key solo instruments:

Low Booms, Low Boom Gallery, Taiko Ensemble, Tamtam Ensemble, Boobams Ensemble, Hi Taiko Solo, Low Taiko Solo, Large Taiko Solo, Bass Drum Gallery Solo, Gong Drum Gallery Solo, Surdu Ensemble, Dohl Ensemble, Tombek Ensemble, Bombo Ensemble, Buckets & Snares Ensemble, Buckets & Crushers Ensemble, Bucket Top & Darbuka, Paper Djun, Piatti, Anvils, Timpani Ensemble.

HANS ZIMMER is one of the most successful, influential and prolific film composers of his generation. Having won countless awards (including an Oscar accompanied by an embarrassment of academy nominations). HZ’s scores have underscored a generation of hugely successful films, that have turned over billions of dollars, countless awards and critical acclaim. Hans has defined not only a compositional style, but also production approach and sonic innovation that has influenced a generation of composers.

Spitfire Audio are delighted and honored to present a series of products produced by Hans Zimmer and his diamond class team of grammy winning engineers, musicians and technicians. Where Hans Zimmer’s style approach to sonic creation is often copied or emulated we’re proud to present to the world at large HZ’s definitive take on his trailblazing approach to cinematic percussion production. Herein lies not an emulation or synthesis of his approach, but a recreation. The same studio, musicians, instruments, signal chain and talented engineers, sitting alongside a decade of experience, innovation and refinement overseen in every detail by Hans himself. The same excruciating attention to detail, perfection but most importantly the endless choice for tweakability and customization you’d expect of the greatest of sound-smiths.

Spitfire Hans Zimmer HZ01 Features
Recorded at Air Studios via an impressive signal chain. 96 rarefied microphones, into Neve Montserrat pre-amps, the world’s biggest Neve 88R desk (which was exhaustively re-gained at every dynamic layer for optimum signal quality), via a dual chain to HDX and Prism converters running at 192k. Well over 30 TB of raw material from these sessions alone.

Spitfire Audio Labs Download

The London Ensembles sessions feature the cream of Hans Zimmer’s hand picked percussion corps playing a distillation of a decade’s worth of musical experimentation and innovation. This is not an imitation of techniques explored in films including Gladiator, Black Hawk Down, The Dark Knight and Inception. It is a truthful recreation.

The library consists of microphone positions (as detailed below) mixed in stereo and 5.1 by Grammy and Oscar winning engineers: Alan Meyerson, Steve Lipsom, Junkie XL, Geoff Foster and Hans Zimmer himself.

About Spitfire Audio
Spitfire Audio was set up in 2007 by a collective of award winning composers and producers. In 2011 they set about distilling all of the essential tools they used to make modern epic cinematic music into a single product. This was the genesis of Albion Volume 1, a tool kit that took the world by storm and earned itself many awards and plaudits.

Four years may not seem a long time, but in the fast moving world of Spitfire Audio it is an age. With over 60 products released in this period alone including 8 new strings libraries and a panoply of orchestral recordings in the shape of the epic BML series, Spitfire have gained a lot of experience! So they decided to return to the original Albion Volume 1 concept and see how it stood up. With heavy hearts Spitfire decided it was time to go back into the studio and put their beloved Albion Volume 1 out to pasture. They felt the experience gained, and the feedback garnered from thousands of users could present a product far superior to the original ‘legacy’ version, a product that would continue and deserve to be the most popular product Spitfire has ever sold.

Spitfire Hans Zimmer HZ01 Key Features:

Spitfire Audio Vst Free Download

67 GB Files Include

Spitfire Audio Vst Downloads

01 – Low Booms
– Hard Beater Hits
– Hard Beater Rolls
– Rim Puilli Hits
– Rim Puilli Rolls
– Rim Stick Hits
– Rim Stick Rolls
– Soft Beater Hits
– Soft Beater Rolls
02 – Low Boom Gallery
– Hard Beater Hits
– Hard Beater Rolls
– Rim Puilli Hits
– Rim Stick Hits
– Soft Beater Hits
– Soft Beater Rolls
03 – Taiko Ensemble
– Hits
– Rolls
04 – Tamtam Ensemble
– Hits
– Rolls
– Scrapes
– Spatial Rolls
05 – Boobams Ensemble
– Beater “Cluster” Hits
– Hand Hits
– Hotrods Hits
06 – Hi Taiko Solo
– Hits
– Rolls
– Rim Puilli Hits
– Rim Stick Hits
07 – Low Taiko Solo
– Hits
– Rolls
– Rim Puilli Hits
– Rim Stick Hits
08 – Large Taiko Solo
– Hits
– Rolls
– Rim Puilli Hits
– Rim Stick Hits
09 – Bass Drum Gallery Solo
– Hard Beater Hits
– Hard Beater Rolls
– Rim Puilli Hits
– Rim Stick Hits
– Soft Beater Hits
– Soft Beater Rolls
10 – Gong Drum Gallery Solo
– Hard Beater Hits
– Hard Beater Rolls
– Rim Puilli Hits
– Rim Stick Hits
– Soft Beater Hits
– Soft Beater Rolls
11 – Surdu Ensemble
– Hits
– Rolls
12 – Dohl Ensemble
– Sticks Hits
– Hand Hits
13 – Tombek Ensemble
– Hand Hits
– Hand Taps
– Hand Slaps
14 – Bombo Ensemble
– Hard Beater Hits
– Hard Beater Rolls
– Soft Beater Hits
– Soft Beater Rolls
– Hand Hits
– Hand Rolls
– Finger Rolls
– Flam Hits
15 – Buckets & Snares Ensemble
– Hits
– Flams
– Rolls
16 – Buckets & Crushers Ensemble
– Hits
– Rolls
17 – Bucket Top & Darbuka
– Hits
18 – Paper Djun
– Hits
– Rolls
19 – Piatti
– Hits
– Choked Hits
20 – Anvils
– Hits
21 – Timpani Ensemble
– Hard Beater Hits
– Hard Beater Rolls
– Soft Beater Hits
– Soft Beater Rolls
– Hotrods Hits
– Hotrods Rolls
– Finger Rolls
MIC/MIX OPTIONS – STEREO
Artist Elements
– Hans Zimmer Close Mono Perspective
– Hans Zimmer Close Stereo Perspective
– Hans Zimmer Room Perspective
– Hans Zimmer Surround (Far) Perspective
– Alan Meyerson Close Stereo Perspective
– Alan Meyerson Room Perspective
– Alan Meyerson Surround (Far) Perspective
– Geoff Foster Close Stereo Mics
– Geoff Foster Tree Mics
– Geoff Foster Outrigger (Wide) Mics
– Geoff Foster Surround (Far) Mics
Stereo Mixes
– Hans Zimmer Stereo Mix
– Alan Meyerson Stereo Mix
– Geoff Foster Stereo Mix
Additional Mics 1
– Bottle Mics Stereo
– Mid Mics
– Gallery Mics
Additional Mics 2
– Overheads Cardioid
– Mid PZM
– Ambient Pair
MIC/MIX OPTIONS – SURROUND
Surround Mixes
– Hans Zimmer Surround 5.1 Mix
– Alan Meyerson Surround 5.1 Mix
– Geoff Foster Surround 5.1 Mix
– Alan Meyerson Surround 5.1 Mix – Close Perspective
– Alan Meyerson Surround 5.0 Mix – Room Perspective
– Alan Meyerson Surround 5.0 Mix – Surround (Far) Perspective

Spitfire Audio Vst Download Full

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